INSTALLATIONS |
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SELECTED WORKS |
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GLOBAL HOPE – GLOBAL DESPAIR Sarang Building 1 / Yogyakarta / Indonesia 2018 This 'Global Time Installation' with 12 ticking clocks raises a visual question to some of the major global problems in the world. Has the time run out ? GLOBAL CLOCK • WATCH UP • CLOCK TICKING • LAST DROP • TRUMP TIME • STARVATION • EARTH & SKY• UPSIDE DOWN |
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INSTALLATIONS |
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REQUIEM |
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ToBeOrNotToBe Kronborg Carstel / Elsinore / Denmark 2008 I am working with three stages of the legend of Hamlet, freely adapted from Shakespeare: To Be / The Past, Or Not / The Present, To Be / The Future. From the organic body of primitive man - via our time’s preoccupation with the brain and artificial organs - to the control of the future of genes and technology. |
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GLOBAL ‘SUPPER’ OVERGADEN – Institute of Contemporary Art / Copenhagen 2005 ART • SCIENCE • SPIRITUALITY • PHILOSOPHY • ETHICS • CULTURE • LANGUAGE • RACE • SEX • LABOUR • ECONOMY • POLITICS • UNIVERSE |
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GLOBAL ‘HEART’ CIRKULATION Arken Museum of Modern Art / Denmark 2002 The installation, visualizes society as a pulsing heart chamber that has the rhythm and sound of a ticking bomb – a reactor bursting with energy affecting life and death. |
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GLOBAL - INHALATION - EXPIRATION Water Reservoir / Plenzlauer Berg / Berlin / Germany 2001 Staged like a ‘lit de parade’, the installation is a reflection on the air we breathe, physically and mentally. How political leaders pollute other people’s lives. How power and finances corrupt, inducing a global lack of oxygen. |
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PLACE NIKOLAJ PLACE Nikolaj - Copenhagen Contemporary Art Center / Denmark 2000 PLACE TO DIE PLACE TO BE OR NOT PLACE TO SIT OUT-SIDE PLACE TO PLAY THE GAME |
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GREY - ZONE - ZONE Museum of Contemporary Art / Roskilde/ Denmark 1999 The exhibition presents 5 installations which involve the spectators both physically and mentally, thus making them a part of these three-dimensional works. |
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KOMMUNE’ IK@TION Rødovre City Hall / Copenhagen 1998 The radars substitute for the classical vessels of sacred fire placed on top of the most important buildings in the ancient Greek communes to communicate with the gods above. In a democracy like Denmark, small talk is received. |
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RELATIVISME Kunsthal Charlottenborg / Copenhagen 1996 Below six slate stones swinging above a lead-covered floor, speakers emitted different digitalized sound sequences – one for Art, one for Science and one for Spirituality. |
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ATTENTION Helsingør Harbour / Denmark 1996 A 17-meter sculpture placed at an angle in the sea directly outside Kronborg Castle, Elsinore, like a giant antenna turned to Europe, with its back to Scandinavia. |
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‘SPHERE Kunsthallen Brandts / Odense / Denmark 1993 Twelve black burned wooden sculptures, dangling like lifeless bodies from metallic umbilical cords, are suspended among sculpture fragments, resting only on their bronze points. |
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CIRCULAR ARC Roskilde University Center / Denmark 1990 ‘Circular Arc’ visualizes theoretical notions of ‘The Golden Cut’ in dialog with life’s opposites of outer-inner / preservation-destruction / weight-lightness / culture-nature / practice-theory. |
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METAMOR’PHOSIS B & W Ship Hall / Copenhagen 1989 The former B & W Shipyards hall (90x30x22 meters), is a ‘Contemporary Cathedral’ in an aesthetics-of-decay age. |
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PLUS - MINUS Glerie Asbæk / Copenhagen 1988 ‘Plus-Minus’ a poetic, quiet installation, a magically lingering force field suffused with the internal energy of opposites: Fire-Ice / Black-White / Light-Heavy / Airy-Grounded. |
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‘ SOUL’ La Mama La Galleria / New York 1988 Installation & Opera-performance ‘SOUL’ is a reflection of New York, the visible ‘SOUL’ of America |
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5 SPIRES Sortedams Lake / Copenhagen 1987 |
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DEAD LIGHT / LIFE LIGHT Kunsthal Charlottenborg / Copenhagen 1986 |
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INSEMINATION Gentofte Art Library / Copenhagen 1986 The installation ‘INSEMINATION’ is an open, planet-like, rhythmic landscape, a visual laboratory touching on past, present and future. |
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SIRENS Langelinie Harbour / Copenhagen 1985 The Langelinie Project was a unique event, taking place in Denmark. A total of 38 visual artists were invited to create installations in the long low 3000-square-meter storehouse alongside the quay of Langelinie. |